I often talk about the paradox of writing—precise control over your craft, absolute submission to the story. I’m pretty sure every creative endeavor hosts a similar paradox.
All the flow in the world won’t save you if your craft is shit, and your craft can be meticulous but the work turns lifeless if you try to strangle it with your own wants and needs.
The writing makes the writer. Do the writing, then you’re a writer.
At the same time, you must know how to use the tools. Words have meaning, grammar exists for a reason. Subverting the rules and breaking them is fine—when done for a reason.
It’s magic. It’s being in the helm-seat of creation. It’s Hephaestus at the forge, hammering with abandon—but every strike is carefully weighted by all the experience collected before.
Even the days that hurt, when pulling the words out one by one is agonizing, when you add a thousand words but subtract eight hundred and fifty, are part of that magic.
You know the pit of despair before you get to rescue Buttercup.
And that is my philosophy for the night, my beloveds. To create, to take that paradox by the throat and allow it to consume you, is to become powerful.
You are more than you ever dare to dream, especially when you *make*.
Even the days that hurt, when pulling the words out one by one is agonizing, when you add a thousand words but subtract eight hundred and fifty, are part of that magic.
You know the pit of despair before you get to rescue Buttercup.